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Volume 9

A Filipino lands on the moon in Richard Abelardo’s Zarex (1958): a dream from the past looking into the future; a memory from tomorrow, looking back to today. PELIKULA 9 configures the nexus and interstices within and surrounding Philippine cinema and moving image by bringing together the historiographic, transmedial, interdisciplinary, political economic, multimodal, and poetic works of scholars, cultural workers, teachers, scientists, activists, and artists.

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Images from Richard Abelardo’s Zarex that adorn this volume and website are from the collection of Mike De Leon, used with permission.​​​​​

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A JOURNAL OF PHILIPPINE CINEMA AND MOVING IMAGE

FAIR USE POLICY

This journal is published for educational use only, not for profit, and distributed free of charge. Copyright disclaimer under sections 184 and 185 of the Intellectual Property Code of the Philippines (Republic Act No. 8293) of 1997, allowance is made for “fair use” for purposes such as criticism, news reporting, teaching, scholarship, education, and research. Effort has been exerted to cite all sources. For inquiries, please contact us at pelikula.updiliman@up.edu.ph

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CONTACT US

pelikula.updiliman@up.edu.ph

UP Film Institute, University of the Philippines Diliman, Quezon City,

1101 Metro Manila, Philippines

Copyright © by UP Film Institute and authors. All rights reserved.

No part of this website and the journals may be reproduced in any form or by any means without the written permission of the copyright owner and the publisher.

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